"Zhejiang Paper Industry" records:"When discussing paper, we must discuss Fuyang paper".
造纸术，作为我国古代四大发明之一，其历史地位不言而喻。说起造纸，就不得不提到富阳。富春江畔的造纸技艺可追溯到南宋，泗洲造纸遗址更是中国现已发现年代最早、规模最大、工艺流程最全的古代造纸遗址。“造纸之乡”四字伴随富阳趟过了漫漫历史长河。
Papermaking, as one of the four great inventions in ancient my country, its historical status is self-evident. When it comes to papermaking, we have to mention Fuyang. The papermaking skills along the Fuchun River can be traced back to the Southern Song Dynasty, and the Sizhou Papermaking Site is the earliest, largest, and most complete ancient papermaking site in China. The words "Hometown of Papermaking" have accompanied Fuyang through a long history.
新胜大集团地处于中国白板纸基地富春江畔。此次空间设计以“纸的褶皱”为线索，将建筑的手法融入室内，以简洁、纯粹来塑造如“白纸”一般的空间。在满足使用的基础上，摒弃复杂过度的装饰，让空间达到极致状态，同时传达环保设计态度与追求。
Xinshengda Group is located on the bank of Fuchun River, the base of whiteboard paper in China. The space design takes "paper folds" as clues, integrates architectural techniques into the interior, and creates a space like "white paper" with simplicity and purity.On the basis of satisfying the use, the complex and excessive decoration is abandoned, so that the space can reach the ultimate state, and at the same time convey the attitude and pursuit of environmental protection design.
纸具有较好的可塑性和肌理感。它的可持续性，也是环保设计的最好诠释。在此次对空间的构思中，利用到了很多结构上的设计手法，令空间丰满而具有现代感。同时，特殊的结构层次设计中也暗含了慢珊瑚的设计理念——“突破边界和固有空间”。Paper has good plasticity and texture. Its sustainability is also the best interpretation of environmentally friendly design. In the conception of the space this time, many structural design techniques are used to make the space full and modern.At the same time, the special structural level design also implies the design concept of Slow Coral — "break through the boundary and inherent space".
纸，是有着无穷魅力的材料，是可变换造型的艺术。它唤醒着人类情感上对自然、原始状态的憧憬。以纸为媒，从二维到三维，将万物的线条赋予个体生命灵性。纸的褶皱，为设计带来诸多灵感的迸发，空间也正如无限变化的纸间褶皱，每一处都在不断探索无限可能。
Paper is a material with infinite charm and an art that can change its shape. It awakens human beings' emotional longing for a natural, primitive state. Using paper as a medium, from two-dimensional to three-dimensional, the lines of all things endow individuals with life and spirituality.The folds of paper bring many bursts of inspiration to the design, and the space is just like the infinitely changing folds of paper, and every place is constantly exploring infinite possibilities.
“净”与“静”
"Clean" and "Quiet"
愈简约，愈能看出事物本身的本相。
The simpler it is, the more you can see the truth of things themselves.
通过“白”，来体现空间的“净”与“静”，缓缓叙述“历经时间变迁的自然故事，展现出最本真的原始状态”。期望引导每一位来访者，进入此空间中，在无干扰的状态下，逐渐抛去疲惫和负担，不断求索，最终回归到自我的“初心”。
Through "white", the "cleanness" and "quietness" of the space are reflected, and the "natural stories that have gone through time and change show the most authentic and original state" slowly.We hope to guide every visitor to enter this space, gradually throw away fatigue and burdens in a state of no interference, keep searching, and finally return to the "original heart" of oneself.
“人哪里需要远离凡尘？工作场所就是修炼精神的最佳场所，工作本身就是一种修行。”"Where do people need to stay away from the world? The workplace is the best place to cultivate the spirit, and work itself is a kind of practice."—— Kazuo Inamori
空间设计的极致之处，在于疏而不空、满而不溢，方寸之地亦能显天地之宽。以极简为基调，大面积的开放，空间、光线与材料，就是设计的全部。虽是白色，却不是空无一物。置身于此为主调的场域，注意力变得更集中。满目皆是利落的线条，以及恰当好处的留白，空间如白纸一般纯洁，似乎什么都没说，但每一处都表达着无限的语言。根据纸张变化而设计的墙面和空间结构，增添了些许思考方式，带来极致的视觉感知。The ultimate point of space design is that it is sparse but not empty, full but not overflowing, and a square inch of land can show the width of the world. With minimalism as the keynote, a large area of openness, space, light and materials are all of the design. Although it is white, it is not empty.
Being in this keynote field, the attention becomes more concentrated. There are neat lines and appropriate blank space everywhere, the space is as pure as white paper, it seems that nothing is said, but every place expresses infinite language. The wall and space structure designed according to the change of paper adds a little way of thinking and brings the ultimate visual perception.
光是建筑的灵魂，建筑是捕捉光的容器。阻挡掉窗外繁杂的建筑体，过滤了过量的阳光，形成适合会客的自然光线。纯净的白赋予了空间强烈延伸感，自然光线穿透玻璃，在空间中肆意流淌，形成的几何光斑与结构的交错线条相呼应，赋予了新的生命。Light is the soul of architecture, and architecture is a container for capturing light. The complex buildings outside the windows are blocked, excessive sunlight is filtered, and natural light suitable for receiving guests is formed.The pure white gives the space a strong sense of extension. Natural light penetrates the glass and flows freely in the space. The formed geometric light spots echo the interlaced lines of the structure, giving new life.
在褶皱之间
Between the folds
有无之处，虚实之间，方能尽显无穷意蕴。是当代的，亦是永恒的。优雅而不浮夸，简单而有灵魂，在虚与实中达到完美平衡。
Where there is nothing, between the virtual and the real, can the infinite meaning be fully displayed. It is contemporary and timeless. Elegant but not exaggerated, simple and soulful, achieving a perfect balance between virtual and real.
富有弹性的结构搭配，也是摒弃生活的繁琐冗杂。使空间愈发平和，保持一种更加松弛平静的状态，蕴藏无限新的可能。减少冗余的装饰，选择纸张褶皱的元素来丰富空间。用极简的设计语言，引发深思，在极致的纯粹中凸显而出，透露一种向上的艺术力量。
The flexible structure collocation is also to abandon the tediousness of life. Make the space more peaceful, maintain a more relaxed and peaceful state, and contain infinite new possibilities.Reduce redundant decorations and choose elements of paper folds to enrich the space. Using a minimalist design language, it triggers deep thinking, stands out in the ultimate purity, and reveals a kind of upward artistic power.
新胜大集团总部Xinshengda Group Headquarters
慢珊瑚设计坚持“逆溯式·可持续·回归”的理念，致力于探索城市与乡村、未来生活方式与生态关系的平衡，注重空间内外的自然美学和舒适的感官体验，突破物理边界与固有标签，通过多维世界寻求人与自然的协调，一切回归本质，在多元的生活体验中汲取灵感，构成无边界去风格的思维新世界，致力探索未来生活，创造独有的舒适美学空间。近年来团队从策划，规划，建筑，景观等综合性项目设计中积累了丰富经验，并专注于酒店，民宿，私宅，商业及办公空间等领域的全案设计服务，设计作品斩获一系列国际知名奖项。 ·延伸阅读·
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